We got to the beach after a bumpy 30 minute bus ride. Buses don't really stop in Yogyakarta; they just slow down a bit and open their doors. It's your job to jump on. It's all about timing... I've seen the frailest old ladies jump on, with huge boxes too. Getting off is equally ridiculous but even more dangerous due to the sea of oncoming traffic you're usually thrust into. Every bus comes equipped with a guy who hangs out the side door announcing the bus's arrival to everyone along the street. He also walks around and collects your fare after you get on. Bu Kelik has warned me that there is a fair share of pickpockets roaming the city buses. Haven't had a problem so far.
As you approach the little road that leads to Parangtritis beach, there's losmen after losmen and a hotel here and there. (Losmen are basically small, ultra-budget hotels.) I also saw a sign advertising a new beach resort that's under construction. I'm going to find out more about that sometime soon. More losmen, a few souvenir shops and probably more than 30 food stalls follow you to the beach's edge.
It's difficult to appreciate just how big Parangtritis beach is from photographs - it's expansive, man! The waves there are very loud and powerful, and you can feel them in your chest. Swimming is forbidden due to treacherous undercurrents. I walked all the way down to the cliffs at one end and back around to the other edge, taking pictures along the way. I'm so glad my entire camera lens is protected by the 62mm tele-adapter & lens filters I bought - there was sand and salt and fog all over the place. Keeping my glasses clear was futile after a few minutes.
There was a bunch of little kids everywhere splashing, playing, and flying kites. Kites are really popular with the kids here in Indonesia. Driving into Jakarta from the airport, I saw a bunch of slummy, dilapidated tin-shack blocks lining the highway that had colorful clothes hanging outside. From within the slums I could see kites reaching out to the sky. It was interesting to see them from afar and know that somewhere within that slum, a kid was playing. It was somewhat comforting when being confronted by poverty like that.
Besides little kids, there were several teenage couples hanging around the beach, holding hands or hugging in the surf. I guess it would be a great place to bring your sweetheart. I only saw two or maybe three foreigners during my whole time at the beach.
*** Okay dammit there is a "no smoking" sign right above my head on the wall in this internet cafe, but people here could care less - hence the burning sensation in my eyes.***
After about an hour and a half, Bu Kelik left to go run a few of her million-and-one errands. I stayed and walked westward toward Parangkusumo - a beach often described as "the western part of Parangtritis beach". I knew that somewhere near there there was a really important site central to all the folklore associated with Parangtritis beach. I found out it was within a nearby village and not directly on the beach, so I headed in.
Upon entering the settlement, I walked through a courtyard littered with sheep. One was standing in the middle of the path as I approached. It stopped chewing and looked up at me blankly, baaaaaa-ing. Have you ever been baaaaaa-ed at by a sheep before? It makes you want to laugh for some reason - the sound is so anthropomorphic. At any rate I called the sheep's bluff and kept walking as it made way to the side. I'll admit I sized it up before proceeding, though.
And there it was - encompassed by small white concrete walls - the sacred rock where Nyai Roro Kidul (Java's sea-bound spirit-queen and protector) met with Panembahan Senopati (the divinely guided founder of the last Javanese Muslim royal house (continued today by Yogyakarta's Sultan/governor & national presidential candidate Sri Sultan Hamengku Buwono X). The rock was showered with wilted flower petals and surrounded by spent incense sticks. It being a major locus of Javanese cultural tradition and folklore, I was really amped to stand not ten feet away from it. As I gazed at the rock, deep in thought, and elderly man from the village approached.
"As-salaamu-alaikum, Bapak," I said as he came within earshot. (Bapak is a polite term of address for older males. The literal meaning is "father" but it's used similarly to "Sir".) We started a conversation in Indonesian. It mostly consisted of me asking him a question, him answering and elaborating, me not understanding much beyond his initial answer, me repeating in my own words what I thought he said, and him either nodding yes or elaborating further. His lack of a full set of teeth didn't help things.
We had a great conversation despite my inability to understand most of what was being said. He told me he'd seen tourists from all over the world who had come to see the sacred rock, and that they were knowledgeable about the folklore. When I asked him whether there were many people in the village there who would be interested in talking with me about the folklore there, he said there were. A guy standing nearby agreed. Sweet. I think I'm going to focus on that village for my interviews. That approach will be less problematic than approaching random people on the beach, because they could come from anywhere in Indonesia.
He walked with me up to the beach and after about 20 minutes we went to a foodstall and got lunch before I left. It's amazing how much you can communicate with someone without understanding their words.
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Later that night I went with some of the kampung guys (one 29, one 27, and another still in high school) to hear a reggae band play at a bar near Sosrowijayan street (a big tourist area). The bar - called "Lucifer" (with a backwards "e") - was dimly lit with pink walls that created a comfortable yet slightly sketchy ambiance. The tables there were made of heavy dark wood that made you feel like a you were a viking or something. The place was mostly empty except for a few people lurking at the bar and back tables.
The band had a vocalist, drummer, bassist, guitarist, and hand percussionist. Almost all their songs were covers of old songs by Bob Marley or UB40, but they did do a few in Indonesian. The lead singer was this little guy with dreads hanging down his back who actually looked a little like Bob Marley. He was pretty weird looking, and sang all the songs with a heavy Indonesian accent.
One of the guys I came with had brought along a water bottle filled with Indonesian wine. It was very sweet and very potent. [After since trying it a second time, I think it might be a little too sweet for my taste.]
Once the band got into their set a little bit, they didn't sound half bad. -But I don't know, maybe it was just the wine...
***Ok wow I think they are playing a Celine Dion compilation cd in this internet cafe. Thank god for youtube.***
So towards the end of the set, some dancing took place, involving myself. It was a fun time. After returning from the bathroom later on, there were two girls sitting our table. One of them was in my seat, smoking a cigarette and text-messaging on her cellphone. She had thin, arching eyebrows and dark brown skin. I introduced myself, made smalltalk, etc. She told me she was from Surabaya (Indonesia's second-largest city). When I asked what she was doing in town, she replied that she was working in a salon, doing masas.
"Masas? Apa itu?" I asked. ["Masas? What's that?"]
"Masas," she repeated, taking hold of my arm. I took a deep swig of my Bintang beer and glanced up at the band. She went back to text-messaging for a minute or two, completely ignoring me and making things a little awkward. I just watched the band play. While the singer mangled the lyrics to "I Shot the Sheriff", she leaned in suddenly, resting her hand on my thigh.
"Mau masas, atau nggak?" she whispered through a cupped palm. ["Want a massage, or not?"]
I didn't respond.
"Di hotel," she breathed into my ear, tightening her grip on my leg.
"Nggak," I replied, spotting a gecko run across the wall.
"Kenapa?" she asked. ["Why?"] I told her I was ok and took another drink of my Bintang.
The Indonesian term for "prostitute" is kupu-kupu malam: "butterfly of the night".
"She is, how you say - bits," my friend said as we strapped on our helmets for the ride home.
"Apa?" I asked.
"Bits," he repeated.
"Oh you mean bitch, ya?"
He nodded. "For maybe 50,000 [~US $6], you can buy," he explained as we turned the corner and sped off into the cold, empty streets. "You like Indonesian girl?"
"Ya," I replied. "Tapi nggak yang bisa dibeli," I laughed into the side of his helmet. ["Yes... but not the ones you can buy."]
"Oh," he laughed.
"Dia nggak bersih," I added. ["She is unclean."]